Showing posts with label Landmark Entertainment. Show all posts
Showing posts with label Landmark Entertainment. Show all posts


Unless you live on another planet, you probably know that last week was another "Michael Jackson week". The "This Is it" documentary and CD album were released and a major Michael Jackson exhibition opened last Tuesday in London. I thought it would be the perfect time to introduce to you one of Michael's most secret - and really fantastic - projects: the Peter Pan's Neverland theme park that never was.

Let's first go back in time to 1997, when Michael Jackson and Prince Al-Waleed - Disneyland Paris' biggest private stock-holder - created a company called Kingdom Entertainment and purchased 50% of Landmark Entertainment, giving the company a huge infusion of cash. Prince Al-Waleed had 45% and Michael had 5% of the shares. I remind you that Landmark is the famous company directed by Gary Goddard which created the Spider-Man ride at IOA and the Jurassic Park and Terminator 3D attractions at Universal Studios.



Above and video below: Michael Jackson and Prince Al Waleed during the 1996 press conference announcing the creation of Kingdom Entertainment Co.




So, what had to happen happened, Michael asked Landmark if they could design a theme park, a real one, not only for him but a park where anybody could go, just like Disneyland. And this theme park would have been named Peter Pan's Neverland! Here is a bird's eye view of the park - please double-click on the image below to see it in big size.



This first concept is amazing, isn't it? Fully inspired from Peter Pan's story, the park would have started with a grand London entrance, as you can see on the artwork below.



A replica of Kensington Gardens, where anyone can see the famous Peter Pan statue, as well as Big Ben and the House of Parliaments in the background, not to mention horse guards at the entrance, all of which would have set a stunning replica of the Victorian city.



Here is another artwork showing this entrance by Greg Pro.



From that point guests were supposed to go to Neverland Island, and Landmark designers had designed two different way to go there, both of which were attractions. The first one, which would definitely have been an E-Ticket attraction, was... to fly to Neverland! As you can see on the artwork below, the take-of was over London, with a fly over Big Ben and other famous London landmarks like the Tower Bridge (note that on the artwork Big Ben and the Tower Bridge are close together but two miles separate them in reality) and then, lead by Tinkerbell, they would fly all over Neverland, the Mermaid Lagoon and Skull Rock and finally land near the Lost Boys home and woods.



And how would Landmark have achieved this wonder, you ask? First, no, the ride was not designed like Soarin' over California - which, by the way, was not built at that time. Instead, guests would have sat on a platform which would have turned down on a 50 degrees angle, a bit less than on the "flying" coasters, and the movie would have been projected on a huge Omnimax dome located under the platform, giving to the guests the illusion of flying over London and Neverland! What a great ride it would have been!

The other way to reach Neverland would have been by boat. During this short boat ride the boat would have go through mysterious caves before arriving to Neverland Island with its lush vegetation and waterfalls.

Once at Neverland, guests would have had the choice of six different areas:

"Lost Boys area" would have been a fun play area for young kids with slides, jumping fountains, a tree house but also a great roller-coaster with tracks going all over the land.



In "Mermaid Lagoon" guests would have had the choice between a boat ride going through Neverland Island caves or to enjoy a meal at a beautiful restaurant located underground with a huge window looking towards the lagoon where a Mermaid show was envisioned. Close to Mermaid Lagoon, the "Indian Village" would have been another area of Neverland where a raft ride was envisioned.



On the other side of the huge Neverland rock, guests would have find "Pixie Kingdom", a great area for young children with giant mushrooms playground and re-themed carnival rides.



Another major area - not so far from Pixie Kingdom - would have been the Pirates village with Skull Rock nearby as well as Captain Hook's ship.



It's there where guests could have watch a great live action show, including a flying Peter Pan fighting his eternal ennemy, Captain Hook. And of course the Crocodile was part of the show.



You may also have noticed that in this first concept three hotels were envisioned: a London hotel, a "Pirate's Cove" hotel and a "Lost Boys Tree top" Hotel. As we will see now, the project had significant changes in its final version.

This next document below is another map of the Peter Pan's Neverland park, actually it's the conceptual master plan. Drawn May 24, 1999 at a scale of 1" = 60' it shows a more advanced project with new attractions and also backstage facilities. Let's have a look again at the whole park to see the differences with the first concept.



First, the three hotels are gone, instead we have one big hotel facing the lake of the London Town area. Located near the entrance, a bit like the Disneyland Paris Hotel it would have allowed the hotel guests to have a unique view on the Neverland park.

In the London Town area, always located at the entrance, Big Ben is still there, but a replica of London's famous Tower Bridge was added. Also, a bigger Kensington Gardens at the entrance and a music hall dinner show in one of the main building on the right.
Inside the House of Parliament replica, a new show: "Salute to J.M Barrie", the creator of Peter Pan. Right on the other side of the Tower Bridge an indoor coaster as well as a 3D simulator theater were also envisioned.



In Pirate's Cove a Pirates Dinner show, another indoor roller coaster and a Pirates stunt show in front of Skull Rock were added. Also envisioned, a lagoon show, probably in the evening.



In Pixie Kingdom, the main difference with the first concept is a big building for a Pixie World dark ride. On the top of the picture below, what seems to be a inverted roller coaster would have had its entrance in a new land "Future Zone".



Lost Boys area always have its roller coaster running all over the land and even inside Neverland mountain, and as you can see below, Future Zone was located at the top with not only the inverted roller coaster but also a smaller coaster and a simulator ride.



In Mermaid's Lagoon, an underwater simulator was added to the first concept and a new area - Kid's Creek - was designed for young children with playground and water fun including small boats.



Peter Pan's Neverland was not designed to be as big as Disneyland, but it certainly would have been a great theme park where all the "Peter Pans" living on this planet would have rush!

So what happened? Why this Peter Pan's Neverland theme park was never built? Well, some years later, Michael Jackson and Prince Al-Waleed ended their association, and considering the cost of a concept like this one, it was very unfortunately the end of the Peter Pan's Neverland project. Although Michael lived in his Neverland Ranch, he never got to walk in this "real" Neverland. However, years later, Landmark designed for Michael a great statue showing Michael as Peter Pan!

Does this mean that we will never see this great park concept become real one day? Who knows, with all the different Michael Jackson celebrations that will happen in years to come - not to mention that Neverland Ranch could become for Michael Jackson's fans what Graceland is to Presley's fans - maybe somebody who has enough money will find, just like we do, that it would be great to build this Peter Pan's Neverland for real? And, hey, there is plenty of land available inside Neverland Ranch. Who could imagine a better place to build Michael's dearest dream?


Thanks to leave a comment or discuss this article on D&M english forum on Mice Chat


Unless you live on another planet, you probably know that last week was another "Michael Jackson week". The "This Is it" documentary and CD album were released and a major Michael Jackson exhibition opened last Tuesday in London. I thought it would be the perfect time to introduce to you one of Michael's most secret - and really fantastic - projects: the Peter Pan's Neverland theme park that never was.

Let's first go back in time to 1997, when Michael Jackson and Prince Al-Waleed - Disneyland Paris' biggest private stock-holder - created a company called Kingdom Entertainment and purchased 50% of Landmark Entertainment, giving the company a huge infusion of cash. Prince Al-Waleed had 45% and Michael had 5% of the shares. I remind you that Landmark is the famous company directed by Gary Goddard which created the Spider-Man ride at IOA and the Jurassic Park and Terminator 3D attractions at Universal Studios.



Above and video below: Michael Jackson and Prince Al Waleed during the 1996 press conference announcing the creation of Kingdom Entertainment Co.




So, what had to happen happened, Michael asked Landmark if they could design a theme park, a real one, not only for him but a park where anybody could go, just like Disneyland. And this theme park would have been named Peter Pan's Neverland! Here is a bird's eye view of the park - please double-click on the image below to see it in big size.



This first concept is amazing, isn't it? Fully inspired from Peter Pan's story, the park would have started with a grand London entrance, as you can see on the artwork below.



A replica of Kensington Gardens, where anyone can see the famous Peter Pan statue, as well as Big Ben and the House of Parliaments in the background, not to mention horse guards at the entrance, all of which would have set a stunning replica of the Victorian city.



Here is another artwork showing this entrance by Greg Pro.



From that point guests were supposed to go to Neverland Island, and Landmark designers had designed two different way to go there, both of which were attractions. The first one, which would definitely have been an E-Ticket attraction, was... to fly to Neverland! As you can see on the artwork below, the take-of was over London, with a fly over Big Ben and other famous London landmarks like the Tower Bridge (note that on the artwork Big Ben and the Tower Bridge are close together but two miles separate them in reality) and then, lead by Tinkerbell, they would fly all over Neverland, the Mermaid Lagoon and Skull Rock and finally land near the Lost Boys home and woods.



And how would Landmark have achieved this wonder, you ask? First, no, the ride was not designed like Soarin' over California - which, by the way, was not built at that time. Instead, guests would have sat on a platform which would have turned down on a 50 degrees angle, a bit less than on the "flying" coasters, and the movie would have been projected on a huge Omnimax dome located under the platform, giving to the guests the illusion of flying over London and Neverland! What a great ride it would have been!

The other way to reach Neverland would have been by boat. During this short boat ride the boat would have go through mysterious caves before arriving to Neverland Island with its lush vegetation and waterfalls.

Once at Neverland, guests would have had the choice of six different areas:

"Lost Boys area" would have been a fun play area for young kids with slides, jumping fountains, a tree house but also a great roller-coaster with tracks going all over the land.



In "Mermaid Lagoon" guests would have had the choice between a boat ride going through Neverland Island caves or to enjoy a meal at a beautiful restaurant located underground with a huge window looking towards the lagoon where a Mermaid show was envisioned. Close to Mermaid Lagoon, the "Indian Village" would have been another area of Neverland where a raft ride was envisioned.



On the other side of the huge Neverland rock, guests would have find "Pixie Kingdom", a great area for young children with giant mushrooms playground and re-themed carnival rides.



Another major area - not so far from Pixie Kingdom - would have been the Pirates village with Skull Rock nearby as well as Captain Hook's ship.



It's there where guests could have watch a great live action show, including a flying Peter Pan fighting his eternal ennemy, Captain Hook. And of course the Crocodile was part of the show.



You may also have noticed that in this first concept three hotels were envisioned: a London hotel, a "Pirate's Cove" hotel and a "Lost Boys Tree top" Hotel. As we will see now, the project had significant changes in its final version.

This next document below is another map of the Peter Pan's Neverland park, actually it's the conceptual master plan. Drawn May 24, 1999 at a scale of 1" = 60' it shows a more advanced project with new attractions and also backstage facilities. Let's have a look again at the whole park to see the differences with the first concept.



First, the three hotels are gone, instead we have one big hotel facing the lake of the London Town area. Located near the entrance, a bit like the Disneyland Paris Hotel it would have allowed the hotel guests to have a unique view on the Neverland park.

In the London Town area, always located at the entrance, Big Ben is still there, but a replica of London's famous Tower Bridge was added. Also, a bigger Kensington Gardens at the entrance and a music hall dinner show in one of the main building on the right.
Inside the House of Parliament replica, a new show: "Salute to J.M Barrie", the creator of Peter Pan. Right on the other side of the Tower Bridge an indoor coaster as well as a 3D simulator theater were also envisioned.



In Pirate's Cove a Pirates Dinner show, another indoor roller coaster and a Pirates stunt show in front of Skull Rock were added. Also envisioned, a lagoon show, probably in the evening.



In Pixie Kingdom, the main difference with the first concept is a big building for a Pixie World dark ride. On the top of the picture below, what seems to be a inverted roller coaster would have had its entrance in a new land "Future Zone".



Lost Boys area always have its roller coaster running all over the land and even inside Neverland mountain, and as you can see below, Future Zone was located at the top with not only the inverted roller coaster but also a smaller coaster and a simulator ride.



In Mermaid's Lagoon, an underwater simulator was added to the first concept and a new area - Kid's Creek - was designed for young children with playground and water fun including small boats.



Peter Pan's Neverland was not designed to be as big as Disneyland, but it certainly would have been a great theme park where all the "Peter Pans" living on this planet would have rush!

So what happened? Why this Peter Pan's Neverland theme park was never built? Well, some years later, Michael Jackson and Prince Al-Waleed ended their association, and considering the cost of a concept like this one, it was very unfortunately the end of the Peter Pan's Neverland project. Although Michael lived in his Neverland Ranch, he never got to walk in this "real" Neverland. However, years later, Landmark designed for Michael a great statue showing Michael as Peter Pan!

Does this mean that we will never see this great park concept become real one day? Who knows, with all the different Michael Jackson celebrations that will happen in years to come - not to mention that Neverland Ranch could become for Michael Jackson's fans what Graceland is to Presley's fans - maybe somebody who has enough money will find, just like we do, that it would be great to build this Peter Pan's Neverland for real? And, hey, there is plenty of land available inside Neverland Ranch. Who could imagine a better place to build Michael's dearest dream?


Thanks to leave a comment or discuss this article on D&M english forum on Mice Chat


Here is the artwork article of the week, and it's going to be a great one, as i am doing a grand tribute to a hlghly talented artist: Eric Heschong.

I love Eric's artwork since ten years ago when i've discovered some of his artwork for Walt Disney Imagineering, and you all know it as i am talking about the fantastic Tomorrowland '98 paintings like this one below.



Now, today i am not going to show you the artwork he did for WDI, but other great artwork he did for Landmark Entertainment. And those of you who like to discover concept-arts of never realised projects will be in heaven today as lot of the paintings below are in this case.

Let me tell you more about Eric. Eric Heschong learned to paint at the now defunct Hanna-Barbera cartoon studios. Later, he worked doing tight architectural illustration. And then for Landmark Entertainment, a company specialised in attraction, theme parks and resorts or casinos design. if you don't know Landmark, it's them for instance who designed the Terminator 3D attraction for Universal Studios and the amazing Spiderman ride at Islands of Adventure. At Landmark, back at the end of the 1990's Eric worked with Chuck Cancillier who was the designer. Chuck would do pencil layouts and then hand them off to Eric for paint. Every so often, he'd be asked to do the layouts.

"Working for Landmark was a fun time for me." says Eric. "I enjoyed the work and tried to please. I used my portfolio from Landmark to get work at Universal Studios and Walt Disney Imagineering. Most of the work I did at Walt Disney Imagineering was for Tony Baxter."

We will begin by paintings which are part of Eric's portfolio. No need to say they are gorgeous. Definitely double-click on each picture to see them in larger scale.

The first one, at the top of this article, is an "Emerald City" painting done for a Wizard of Oz park that was supposed to go in somewhere in Kansas. Landmark didn't mind that Eric's Emerald City looked nothing like the one in the movie. The header image is also an Eric's painting, for a Warner Bros concept.

This next painting with the purple rocket was for a Paramount Pictures park. A Willie Wonka attraction (on the right) and a Godfather's restaurant (on the left) were to be featured.



The two next paintings were done of course for a Star Trek attraction. I don't think these scenes/decors were realised but Landmark is the company who did do the Star Trek Experience in Las Vegas.




The next concept with this copper colored space station was actually built in South Korea.



This Bluto Bay decor was designed for a movie company who has or had the Popeye property - it might have been Universal.



Eric did also this concept-art for a James Bond "Licence to thrill" attraction. First, i thought he did it for a previous concept of the Walt Disney Studios "Motors, Action!" stunt show, as i knew WDI envisioned to do the stunt show on a James Bond theme. Then it was cancelled and i always thought it was for a rights/license problem, that the Bond license was too expensive, etc... In fact not, it's probably because Paramount Parks got the rights to do this "License to thrill" attraction. The attraction existed for real from 1998 in three or four diferent Paramount parks.



Landmark also designed Hotels and Casinos, like this 1999 ”Muwi Kingdom Hotel” concept for Inchon, South Korea.



This next bird's eye view was to be a casino/hotel called the City of Gold. It looks similar to the one above and may be it was done for the same concept.



The interior lobby would have been incredibly spectacular - i should say dazzling. That's the painting below, with the griffins.



The next concept-art with the movie theaters and trolley car was for a Navy Pier concept in Chicago.



This one too was done for the Chicago Navy Pier concept.



This 1998 acrylic painting shows a land called "Cartoon Ville" part of a proposal for a "Shanghai Movie Park" in China.



"Heavy Metal Island" is the title of this 1999 concept-art, the entrance to an island-Rolling Stones land in a proposed Rock theme park.



The two next paintings called "Metropolis Metro Entertainment Center" were done for a Shanghai Metro Entertainment Center.




The concept-art below show a "Nautical Sports Dome" for a Niagra Theme Park.



"U.S.O. with Bob Hope" is the name of the Cell Vinyl on illustration board concept below.



This next painting was for a "Rhythm and Blues Area" in a Grammy Exposition.



As i told you Landmark did lot of concepts for casinos. Here are some paintings that Eric did for these concepts. Let's begin with the Las Vegas Caesar's Palace and this concept-art for a 1995 "Caesar's Exterior Expansion".



The next one shows a new inside decor proposal for the Caesar's palace...



And this one, always at the Caesar's, is called "Casino of the Gods".



The next 1999 painting below is named "Secondary Gaming-Train Station", a proposed expansion of the Barona Casino in San Diego.



”Rooftop Casino” is the name of the scene below - obviously inspired by the rooftop of Paris Opera (where by the way i walked upon for real some years ago for a photo shooting!).



This next 1997 painting ”Monex New York Casino” was another kind of "rooftop" view for the Century City Monex.



"Starlight Restaurant Interior” is the title of the artwork below, designed for Phantom Phantasy Casino.



These two 1993 acrylic paintings were concepts for the Harrahs Hotel/CasinoLaughlin in Las Vegas. The first one is called "Harrahs Laughlin" and the next one "Plaza Scene"




Always for the Harrahs in Las Vegas, this last artwork is called "Mardi Gras".



I want to thanks Eric Heschong and Landmark Entertainment for providing me the pictures files and authorisation to post them in this article and i hope you now love Eric's artwork as much as i do!

Artwork: copyright Landmark - Eric Heschong - Disney Enterprises
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